"Nobody loves me. Everybody hates me." - worm eating art by Ann Huey

Worms, 1999
acrylic reverse — painted on plexiglass
32 in x 20 in x 2 in


Ann Huey's Story

"Me" logo


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My studio is a tiny room in an old trailer in Lancaster, Texas. And considering that Bonnard painted in his bathroom, Pollock in a barn, I'm hoping for great things.

Descending from Viking barbarians, Royal Scots, Irish pig wranglers, German preachers, farmers and violin makers, grizzled bear hunters and respectable country doctors, born and raised in Southeast Texas, my vision might be described as dark humor with nice manners. I didn't have the creative advantage of a bad childhood.

Jenny and Bob Huey financed a very fine education and in 1978, I received the bachelor of arts degree in painting from the University of Dallas. (I make this assumption despite the fact that the diploma is in Latin.) Against ardent suggestions from wise professors, I chose not to enroll in graduate school. It was a decision delivered with thoughtful and lucid deliberation. "Those graduate painters are weird!" I thought. If only I'd realized then what I know now — I'm weird, too!

Ann Huey
If I Lived to 102 I Might Be An Artist, 2001
acrylic, 60 x 30 inches

A drone in the world of commerce for many years, I maintained a freelance business in not-so-fine art. And even though life has no meaning, I wanted some anyway — to paint and make things, creep people out, astound, bewilder, entertain, make messes, run with the scissors and be unemployed (which I became early in 1999).

In my painting and two-dimensional work, I like to tell stories, often silly and macabre, often with busy descriptions of exaggerated figurative images, sometimes neo-impressionistic or pseudo-realistic (sometimes neither neo nor pseudo, but post or pre maybe) — whether the subject is of the elite or the humanity that gets folded into the creases of society.

Television is a great source of ideas, for in it lies all the world's trouble and salvation. (The gray square that is at once a whole and a black hole.) During a residency in Connecticut, however, I decided that the most profound subject matter is the bits of nature we squash every day — creeping, climbing, flying, rotting, buzzing bits. Beauty unimpaired by culture, un-enhanced by technology, unhampered by emotion, that is really too divine to interpret, though we try anyway.

I prefer the speed of acrylic, the intensity of pastel, and, occasionally, the toxic luxury of oil.

My favorite artistic period was The Awkward Age — a genre bursting, yet fraught with vague albeit specific conundrums of shrill color tedium and grotesque adolescent elaborations of nothingness.

Since I hadn't painted much or entered a juried show until 1999, there is a big gap in my biography. I was just resting up for the daily nervous breakdowns I have now as a "serious artist". And I cherish each moment of freedom to have them.

During such moments, I often think of this quote by George Moore:

"It does not matter how badly you paint,
so long as you don't paint badly like other people."
 

Ann 1969, painted in 2002

Ann 1969, 2002
acrylic on canvas
21 x 11 inches

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Personal

Born 7 November, 1955 in Beaumont, Texas

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Education

University of Dallas / B.A. Painting, 1978
University of Texas at Dallas
Richland College

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Residency

Weir Farm Trust Artist Residency, Ridgefield, Connecticut, April 2001

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Exhibitions

2008

Fierce  Group exhibition  JR Compton, Curator  14th Street Gallery  Plano TX
Cracked - Two Chicks' Eggsabition 
with Julia McLain-Echols  Bath House Cultural Center  Dallas TX

2007

Pushing the Envelope, A Drawing Show  Sally Sprout Fine Art  Tower Gallery  Houston TX
Bath House exhibitions:  Outside the Lines 7, Absurdity, Salon du Fit
Hunting Art Prize  Juried exhibition  Houston TX  finalist
The Velvet Underwear  Solo exhibition  AMS Production Group  Dallas TX
Pearls of Wisdom?  Solo exhibition  Pearl (jazz club and art gallery)  Dallas TX
LaReunion  Juried exhibition  benefiting LaReunion Artist Residency  Oak Cliff  Dallas TX

2006

The Art Conspiracy Show  Sarah Jane Semrad, Curator  Longhorn Ballroom  Dallas TX
88 Numbers  Group exhibition  Kettle Art Gallery  Dallas TX
A Word is Worth a Thousand Pictures 
Solo exhibition  Lillian Bradshaw Gallery  Dallas Public Library
Bath House exhibitions:  Dia de los Muertos, Anniversary Show, Salon du Fit
Dia de los Muertos  Invitational exhibition  International Cultural Center  Texas Tech  Lubbock TX

Out of the Loop
  Invitational exhibition  Melissa Sauvage, Curator  Water Tower Theater  Addison TX

2005

The Art Conspiracy Show  PigeonStone project  Texas Theater  Dallas, TX
Koelsch Gallery  with Vanessa Estrada and Amy Evans  Houston TX
Bath House exhibitions:  Día de los Muertos, Last Winter, I Dreamed…, Salon du Fit
City of Dallas Public Art Program  Finalist
Texas National
  Juried exhibition  Juror: James Surls  Stephen F. Austin University  Nacogdoches TX

2004

Texan Book of the Dead  Solo exhibition  Bath House Cultural Center  Dallas TX
Art in the Metroplex
  Juried exhibition  (Rockette Science Club Award)  Juror: Larry Rinder  California College of the Arts  Texas Christian University Fort Worth TX  
Artists at Weir Farm
  Three-person exhibition  Weir Farm Trust  Wilton CT
Outside the Lines4
  Juried exhibition  Bath House
Dishman Competition
 International juried exhibition  (Third place)  Juror: Dewey F. Mosby  Colgate  University  Lamar University  Beaumont TX 

2003

Outside the Lines 3  Juried exhibition  Bath House
Women and Their Work Two-person exhibition  with  Debra Rueb  Austin TX
Texas National
  Juried exhibition  (Honorable mention)  Stephen F. Austin State University  NacogdochesTX 
Plano Art Association National Juried Exhibition
  Plano TX
Dishman Competition 
International juried exhibition  (Honorable mention)  Juror: W. Jackson Rushing  University of Houston  Lamar University  Beaumont TX 

2002

Figurative Works 02  National juried exhibition  Juror: Olga Viso  Curator Hirshhorn Museum  Armory Art Center  West Palm Beach FL
Bath House exhibitions:  I Don't Know Much About Art, But I Know What I Like (a show about clichés)
  
Three-person exhibition Outside the Lines 2, La Loteria  Juried exhibitions  reserved seating  Group
  invitational exhibition  Terri Stone Curator  (also exhibited at The ArtCentre of Plano)

New Texas Talent
  Juror: Murray Smither  Craighead-Green Gallery  Dallas TX
Works on Paper National Juried Exhibition
National juried exhibition  LSU Union Art Gallery  Louisiana State University  Baton Rouge LA
Texas and Neighbors 2002
  Irving Art Association Annual Juried Exhibition  (First in oil/acrylic/pastel)  Irving TX 

2001

Off the Wall  Four-person exhibition  Melissa Sauvage, Curator  Continental Gallery  Dallas TX
Bath House exhibitions: Día de los Muertos, Outside the Lines
W  McKinney Avenue Contemporary Annual Member Show
Outside the Lines Juried exhibition Bath House
Texas and Neighbors 2001
  Irving Art Association Annual Juried Exhibition
Plano Art Association National Juried Exhibition
  Plano TX

2000

Pastel Society of the Southwest's 2000 National Open  Fort Worth TX
Texas and Neighbors 2000
  Irving Art Association Annual Juried Exhibition
Plano Art Association National Juried Exhibition
(second in pastel)

1999

Critic's Choice  Juror: James Surls  Dallas Visual Arts Center Sixteenth Annual Call for Entries  African American Museum  Dallas TX

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Gallery


Koelsch Gallery
703 Yale
Houston, TX 77007
www.koelschgallery.com (map)